Jul 2007
Charles Gaines: Greenhouse
July 19 through August 30, 2007
Opening reception July 19, 7-9pm
July 19 through August 30, 2007
Opening reception July 19, 7-9pm
Charles Gaines: Greenhouse
Jul 2007
Florencia Pita: Alice
July 19 through August 30, 2007
LA><ART’s programs are made possible with the generous support of the Andy Warhol Foundation, Graham Foundation, Eileen Harris, Campari, Peter Norton Family Foundation, Danielson Foundation, Susanne Vielmetter, BJB Enterprises, Eve Steele and Peter Gelles, Uber.com and LA><ART founding members and patrons.
July 19 through August 30, 2007
LA><ART’s programs are made possible with the generous support of the Andy Warhol Foundation, Graham Foundation, Eileen Harris, Campari, Peter Norton Family Foundation, Danielson Foundation, Susanne Vielmetter, BJB Enterprises, Eve Steele and Peter Gelles, Uber.com and LA><ART founding members and patrons.
Jul 2007
LA><ART WINDOW: Jeff Williams
Thickly Settled
curated by Aram Moshayedi
July 19 - August 30, 2007
Thickly Settled
curated by Aram Moshayedi
July 19 - August 30, 2007
Jul 2007
LA><ART SOUND: Ultra-red
Untitled (for seven solo voices)
7 one-minute loops
Selected by Timothy Ivison
July 8 - July 18, 2007
press release
press release
artist’s statement
LA><ART SOUND engages the entryway as a project space for imbedded sound experiments featuring looping and extended ambient works, conceptual projects, and site specific interpretations of the gallery and street to be played continuously at regular intervals.
Untitled (for seven solo voices)
7 one-minute loops
Selected by Timothy Ivison
July 8 - July 18, 2007
press release
press release
artist’s statement
LA><ART SOUND engages the entryway as a project space for imbedded sound experiments featuring looping and extended ambient works, conceptual projects, and site specific interpretations of the gallery and street to be played continuously at regular intervals.
Jul 2007
Michael Queenland: Untitled, limited edition
press release
2007
Photo lightjet print
Edition of 10
Courtesy of the artist
$1000
LA><ART is pleased to present a photographic edition by New York based artist Michael Queenland. Queenland, who received his MFA from the University of California, Los Angeles in 2002, has since exhibited widely throughout the United States and abroad in solo and group exhibitions. In September 2007, he will produce a site-specific installation at LA><ART entitled THE MORL or NYC-Apartment that restages and examines the logic of museological display and the phenomena of kitsch by transforming the space of the gallery into that of a conceptual Wunderkammer. This edition, made available through LA><ART, helps to support the production of this ambitious intervention.
This untitled photograph is a document of the two live cats that inhabited the installation and gallery space throughout the course of the artist’s Bread & Balloons, a solo exhibition at Harris Lieberman gallery in New York earlier this year. The theatrical and performative presence of the cats in the exhibition space extended Queenland’s interrogations of sculptural fixity and the limitations of medium-specific modes of signification.
Queenland is currently represented by Harris Lieberman gallery in New York and Daniel Hug Gallery in Los Angeles. In 2005, the exhibition Michael Queenland: Photographs, Sculptures, and Shaker Classics traveled to both the Institute of Contemporary Art at the Maine College of Art in Portland, Maine and the Massachusetts College of Art in Boston, Massachusetts. In 2006, he was named a United States Artists Fellow. From 2004 to 2005, he served as a resident artist at the Studio Museum in Harlem. Recent exhibitions include Civil Restitutions at Thomas Dane Gallery in London, Trace at the Whitney Museum of American Art at Altria in New York, and Frequency at the Studio Museum in Harlem.
press release
2007
Photo lightjet print
Edition of 10
Courtesy of the artist
$1000
LA><ART is pleased to present a photographic edition by New York based artist Michael Queenland. Queenland, who received his MFA from the University of California, Los Angeles in 2002, has since exhibited widely throughout the United States and abroad in solo and group exhibitions. In September 2007, he will produce a site-specific installation at LA><ART entitled THE MORL or NYC-Apartment that restages and examines the logic of museological display and the phenomena of kitsch by transforming the space of the gallery into that of a conceptual Wunderkammer. This edition, made available through LA><ART, helps to support the production of this ambitious intervention.
This untitled photograph is a document of the two live cats that inhabited the installation and gallery space throughout the course of the artist’s Bread & Balloons, a solo exhibition at Harris Lieberman gallery in New York earlier this year. The theatrical and performative presence of the cats in the exhibition space extended Queenland’s interrogations of sculptural fixity and the limitations of medium-specific modes of signification.
Queenland is currently represented by Harris Lieberman gallery in New York and Daniel Hug Gallery in Los Angeles. In 2005, the exhibition Michael Queenland: Photographs, Sculptures, and Shaker Classics traveled to both the Institute of Contemporary Art at the Maine College of Art in Portland, Maine and the Massachusetts College of Art in Boston, Massachusetts. In 2006, he was named a United States Artists Fellow. From 2004 to 2005, he served as a resident artist at the Studio Museum in Harlem. Recent exhibitions include Civil Restitutions at Thomas Dane Gallery in London, Trace at the Whitney Museum of American Art at Altria in New York, and Frequency at the Studio Museum in Harlem.
